Some time ago while posting the series “Favorite Music Videos” I mentioned a UHF-type overnight music video station broadcasting out of Cocoa Beach, Florida called “ODYSSEY” or “The Odyssey Network.” Before writing that post I had searched online for hours–unsuccessfully–looking for some information about the music service, both to give more insight about it and also to provide a link for more information.
I’ve had several readers since weigh in with their recollections of Odyssey. While I’ve enabled their comments here, I wanted to share the contents of a Billboard magazine article dated March 16, 1985 about the channel. (My thanks to “cj” for sending me a Comment with the link. I apologize for the delay in acknowledging it.)
Here is the article, reproduced in its entirety:
“Odyssey Surviving Without Advertising
(New Music Video Service Claims Eight Million Viewers)
By Faye Zuckerman
LOS ANGELES With a viewership claimed at nearly eight million, the fledgling Odyssey Network 24-hour video music service still reports losses at $250,000 monthly, has incurred startup costs nearing $2.5 million, and has yet to secure any advertising revenue.
In fact, admits Tom Shaw, director of programming for the Cocoa Beach, Fla. based network, ‘We have received zero revenue from advertising.’ He adds. however, ‘When we went on the air Jan. 5, we had zero affiliates, and expected to pick up 400,000 viewers in 35 days.’
By Jan. 6, Odyssey had reached the 400,000 subscriber mark, airing on selected cable services and VHF and UHF tv stations. Three days later, Shaw says, the network saw its viewership jump to three million. ‘We projected reaching that figure in two years,’ he notes.
When will the supposedly advertising-supported music service break even, and can it stay afloat until then? Shaw contends the parent company, Nova Communications Network, is committed to keeping the channel alive for at least two years. ‘We have enough money to stay broadcasting for two years with selling a single ad,’ he claims.
Odyssey’s Shaw expresses confidence about securing advertising dollars for the two-month-old network, which he notes is just now approaching Madison Ave. with market research on its operations. Its programming primarily features urban contemporary music, with some pop mixed in, according to Shaw.
He admits that getting a foothold in the advertising arena might not be as easy as securing affiliates, especially when the programming is free. ‘It’s a step-by-step process. First we needed subscribers. Now it’s time to get the advertisers by making them aware of us and who we are reaching,’ Shaw observes.
‘We are the first national 24-hour music service on-line and broadcasting to areas not yet wired for cable. Many of our viewers are getting exposure to clips on a constant basis for the first time.’
Odyssey’s only other competitor to date is Discovery Music Network, which will go on-line June 1. A spokesperson for the channel says that company officials are not ready to say how many tv stations or cable services it has secured.
Odyssey Network currently boasts of having already signed broadcast contracts with 93 cable services and 24 television stations, nine of which are network affiliates. Participating stations include WRBV in Philadelphia, Tulsa’s WGTV, Salt Lake City’s KUTB and KTNV in Las Vegas.
The television stations generally air the channel six hours daily. Shaw says certain ABC and NBC affiliates broadcast the music channel as late night programming. ‘CBS provides after-hours tv shows for its stations, so they didn’t sign on with us,’ he explains.
Thus far, Odyssey’s programming hasn’t attempted to match the programming style of MTV, the premier 24-hour music video service. There are no VJs, no contests, few voiceovers and only one special segment, a top 12 video countdown.
Odyssey airs clips back-to-back, with designated unsold advertising spots. By early fall, Shaw plans to start featuring a VJ. ‘We have already started a nationwide search for one,’ he adds.
‘We are getting negative reactions to VJs,’ Shaw contends. ‘Only the record companies seem to like them because they promote their artists.’
As for MTV’s exclusivity pacts with several major record labels, Shaw asserts that Odyssey feels little if any impact. ‘Many of the artists we feature are not included in the agreements. We don’t care about waiting out a grace period. Most of our viewers are not cable households anyway.
‘Besides, maybe a 24-hour music service will come along and offer record companies a better price for videos.’ Meanwhile, Odyssey prides itself on airing a combination of urban and suburban video fare not generally shown on MTV or its sister service VH-1.”
While this article is certainly a big help in understanding how Odyssey began, it tells only part of the story. What happened to it? Did it merge with another service, or did it just fade away?
If anyone knows of, or has any more knowledge about the Odyssey Network, please send it along in the Comments section. Thanks in advance.